Han purple was an ancient Chinese pigment which is thought to have been created as early as 800 BCE, but the most famous examples of its use date back to around 220 BCE when it was used to paint the Terracotta Army and murals in the tomb of the first emperor Qin Shi Huang at Xi’an. It peaked in usage during the Han Dynasty, then declined, and then vanished from the historical record entirely -- along with knowledge of how to make the color.
It was not until the 1990s that scientists were able to replicate it. The process to make the copper barium silicate pigment was extremely intricate. For one thing, it involved the grinding of precise quantities of various materials. And for another, it required heating to between 900 and 1,100 degrees Celsius. Amazing that the process was discovered so long ago!
Brightly colored pottery is a hallmark of the Paracas culture (900 - 100 BCE) of southern Peru. They would mark unfired pieces with animals, supernatural figures, and patterns, then add color after the firing process to fill in the design. A new study, recently published in Antiquity, analyzed the chemical composition of the Paracas paints and binding agents. The study found that an organic white pigment on pottery from the Cahuachi site was made from an unusual material: reptile urine! It is unknown -- and a bit difficult to guess -- how the substance was collected and then processed.
Ayurveda, a ancient medical tradition from India, has three great ancient authors. Each is known for one significant text. Today they are understood to be compilation texts, summaries of schools of medicine at the time of their writing, but the authors are believed to have been real people who wrote each individual book. Like an encyclopedia.
Sushruta, writing sometime in the 600s BCE (probably) wrote the "Sushruta Samhita," a treatise on medicine and surgery with a large section dedicated to medical instruments as well. Charaka, alive sometime in the 200s BCE, wrote a treatise focusing solely on medicine, the "Charaka Samhita." The third great author, Vagbhata, came much later in the 600s CE. His two major ayurvedic treatises similarly covered a broad swathe of medicine, but they also explicitly referenced the Sushruta Samhita and the Charaka Samhita, covering where they disagreed and the various solutions that had arose to those disagreements over the centuries.
Morocco -- and indeed, all of northern Africa -- used to be considered part of the European cultural world. The region, then called Mauretania, was colonized by Phoenicians, then Phoenicia's descendent Carthage. After the Punic Wars there were a number of independent kingdoms in the region. They were weak, and the later ones were client-kings for Rome. Mauretania was eventually officially annexed by the Roman Empire in 46 CE and made a province. The region was conquered by the Vandals in the 400s CE, along with Spain. The whole time, Mauretania and its Berber tribes were considered the very edge of European culture, but European nonetheless.
It was the Arabic Empire that changed the cultural makeup of Morocco. The region was conquered by Muslim Arabs around 685 CE and incorporated into the new Umayyad Caliphate, ruled from Damascus. Its native Berber tribes slowly converted to Islam. Ever since, the country has been considered part of the wider Middle East sphere.
This arch and the attached façade are the only remains of the once-great metropolis of Ctesiphon. Perched on the banks of the Tigris River, for eight hundred years, Ctesiphon reigned as the capital of first the Parthian and then the Sassanian Empire. But the city quickly declined after the Arabic conquests in the mid-600s CE, and was completely abandoned by the 700s. As new empires rose and fell, and the world moved on, Ctesiphon slowly crumbled into the desert.
The distinctive Chupícuaro style was recovered from a site covered by a reservoir in 1948 to supply water for Mexico City, where later salvage operations found a number of Chupícuaro style artifacts. The Chupícuaro region is northwest of Mexico City, about a four hour drive. It had longstanding cultural and trade connections with the Valley of Mexico beginning as early as 200 BCE, indicated by similarities in ceramic figural art traditions from both regions.
This ceramic female figure is a beautiful example of Chupícuaro mortuary figures dating to between 300 BCE and 100 CE. Burials of members of the Chupícuaro elite typically included a large number of female figures. Their worldview linked death with fertility, as a central precept of the Mesoamerican ideology of death, transformation, and regeneration. Death was not the end, but part of the cycle. This sculpture's striking body paint is typical of Chupícuaro figures. Her short pants (or possibly body painting) feature a combined vertical and horizontal patterning that suggests a highly developed weaving tradition. Sadly, actual examples of the region's weaving have sadly has not survived.
The ancient Greeks and Romans thought giraffes were an unnatural offspring of a camel and a leopard. Due to the animal's camel-like shape and leopard-like spots. The camel's Latin name is pretty simple: "camelopardalis." Which is how the camel's scientific name came to be "Giraffa camelopardalis."
Enjoy this posts and want to show support? Buy me a coffee or two :P
By Lillian Audette
This blog is a collection of the interesting, the weird, and sometimes the need-to-know about history, culled from around the internet. It has pictures, it has quotes, it occasionally has my own opinions on things. If you want to know more about anything posted, follow the link at the "source" on the bottom of each post. And if you really like my work, buy me a coffee or become a patron!